Plot Summary:During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, into the same hotel room to answer in solitude the same question about the future of cinema, while they were filmed with a 16mm camera and recorded with a Nagra sound recorder. In social sciences the goal of standardization is that each person is exposed to the same question experience, and that the recording setting of answers is the same, too, so that any differences in the answers can be correctly interpreted as reflecting differences between persons rather than differences in the process that produced the answer. The wide sampling frame in "Room 666" included European 'auteurs' and Hollywood directors, narrative and experimental filmmakers, male and female professional film directors that presented their films or were simply present at the 35th Cannes Festival in May 1982. The directors came from France, Italy, Brazil, Lebanon, Germany, Turkey, the Philippines and the USA. This unique documentary shows the complete footage (or selected parts) of the 15 answers that resulted from this 'standardized survey interviews'. The historical value of "Room 666" has increased over time: The 5 directors Rainer Werner Fassbinder, Yilmaz Güney, Maroun Bagdadi, Robert Kramer and Michelangelo Antonioni have died since then in this order. Fassbinder died only a few weeks later on June 10th 1982 and gave his last 'interview' in "Room 666".
聪五十五郎 • 666房间
蒙特赫尔曼讲话的时候后面电视在放《赛文奥特曼》，荷索进来第一件事是先脱鞋 法斯宾德的出场是最屌的，有趣的是他的声音没有长相那么强壮。 也许看几位对后面摆着的电视机的态度可以了解到一些东西，戈达尔...虾米爱学习 • 【转】导演维姆·文德斯关于《六六六室》的2篇文章
六六六室 维姆·文德斯 就在车道旁，靠近往巴黎机场的岔路口，屹立着一棵庄严高贵的树，长久以来，当我离开欧洲时它会向我招手道别，当我回来时又热烈欢迎我。我的老朋友是一棵黎巴嫩香柏，树龄至少有一...沙丁鱼2 • 打开电视，说电影
文德斯拍摄纪录片，通常都不会很客观，他总是不断提出问题，早在《六六六室》，他已经对电影的意义发出了质问，并询问了许多导演的意见——电影是否已死？不过那个片子与其说是访谈，倒不如说是观察每个导演在面.....