波兰导演还真喜欢用影像啊，想到Mariusz Treliński的Tristan und Isolde了。认识了Meyerbeer的Grand opera style (German orchestra + Italian vocal)，以及法意版区别：法更grand opera - ballet, musicalement plus formel plus theatral plus dans le dialogue le debat l'intellect que 意 seulement emotion, 而且dimension grandiose + intimité. 明星卡司，音乐和舞美整体感觉一般 - quote from NYT - " It was polished and professional, but also less than inspired. There was little sense of glacial undertow, of mahogany darkness, of velvety richness. Instead, the effect was cool, refined, self-contained. This, too, was very French." (LOL)
波兰导演还真喜欢用影像啊，想到Mariusz Treliński的Tristan und Isolde了。认识了Meyerbeer的Grand opera style (German orchestra + Italian vocal)，以及法意版区别：法更grand opera - ballet, musicalement plus formel plus theatral plus dans le dialogue le debat l'intellect que 意 seulement emotion, 而且dimension grandiose + intimité. 明星卡司，音乐和舞美整体感觉一般 - quote from NYT - " It was polished and professional, but also less than inspired. There was little sense of glacial undertow, of mahogany darkness, of velvety richness. Instead, the effect was cool, refined, self-contained. This, too, was very French." (LOL)